Disclose This! Advancing Disability Awareness in Libraries and Archives Panel Recap

Flyer promoting Disclose This! Advancing Disability Awareness in Archives & Libraries

The recording of Disclose This! Advancing Disability Awareness in Libraries and Archives is now available on YouTube.

This October 26, 2020, panel discussion included Jasmine Clark, chair of the DLF Digital Accessibility Working Group; Michelle Ganz, chair of the SAA Accessibility & Disability Section; and Karina Hagelin, librarian, activist, and organizer. The conversation was moderated by Bridget Malley and facilitated by Lydia Tang of the AWE Fund Organizing Committee.

Panelists discussed disability awareness and representation in libraries and archives, the intersection of race and disability, the politics of disclosure, and advocacy for self and others, and answered questions from the audience during the Q&A portion of the event. Additional questions submitted via chat were answered following the event.

Making and Talking Money: LAM Salary Transparency Panel Recap


The September 21, 2020 panel discussion on Making and Talking Money: LAM Salary Transparency, hosted by AWE Fund Organizing Committee is now available online on YouTube.

Participants included Brenda Flora of the Association of Moving Image Archivists Advocacy Committee; Elena Colón-Marrero and Melissa Gonzales of the Society of American Archivists Archival Compensation Task Force; and Michelle Millar Fisher of Art + Museum Transparency. The event was moderated by Alison Clemens and facilitated by Jessica Chapel of the AWE Fund Organizing Committee.

Panelists discussed salary transparency efforts within libraries, archives, and museums organizations and spaces. The first question specifically addressed the role of professional organizations in advocating for salary transparency. In answering that question, Colón-Marrero said that she believes that the role of professional organizations “is to shift the onus for fair compensation from the individual to the institutions and that they are really the body that can apply that pressure more wholly and systematically.” Flora subsequently shared that “when the Association of Moving Image Archivists surveyed its membership in 2018-2019 about major issues faced by the profession — requiring advocacy from the association — 61% of the survey respondents brought up issues related to salary and labor, leading the organization to increase focus in those areas.” Millar Fisher echoed the other panelists, saying that “if you [an organization] are for your members, then you are for salary transparency[….]” and that salary transparency is really a baseline that allows for individual and collective organizing and advocacy. 

Panelists explored this idea more in their answers to the second question, “What is the connection between salary transparency and improving conditions for workers, especially marginalized or vulnerable workers?” Flora shared that salary transparency allows individuals to know their value as a worker; to negotiate their salary with an employer; to find a job that compensates them fairly; and to avoid positions that exploit their skills and education. Furthermore, Flora said, salary transparency can help workers make decisions about how much to invest in a degree, particularly since student debt disproportionate to pay is a major problem within the LAM fields and puts emerging professionals in a position where they’re so dependent on the work that they often feel unable to speak up or leave a job where they are being underpaid or otherwise mistreated. Flora said that salary transparency within an organization can help a worker know whether they and their colleagues are being compensated consistently and fairly; know what prospects for advancement within the institution might look like; and can put workers in a better position to support others in advocating for their own compensation, such as temporary or part time workers. Flora indicated that salary transparency works against more subjective compensation and advancement policies; this transparency therefore helps all employees become less vulnerable and be on more equal footing. Gonzales seconded Flora’s comments and also indicated that institutional salary transparency arms managers with what they need to go to their HR departments to advocate for increased and equitable compensation. 

The third question, “Is there a model or useful inspiration to be gained from the transparency and strata of government LAM positions to reduce the role that negotiation plays on salaries?,” prompted panelists to discuss salary information-gathering efforts, particularly the upcoming A*CENSUS 2 work with the Society of American Archivists (following up on the first A*CENSUS) and work done to gather this information within the Association of Moving Image Archivists. Colón-Marrero shared her mixed feelings about pay scales and models and reminded attendees that these scales and models are only helpful if they are being updated and flexible, since they can contribute to underpay if they’re not being updated or if they’re not clear and transparent to job seekers. Flora also indicated that a good salary structure should include not only the minimum starting salary for a position, but ideally would also include the maximum salary and would map out a clear path from one to the other. 

The final panelist question was “How can hiring managers make the case for salary transparency on an institutional level?” Millar Fisher indicated that managers may not necessarily have salary transparency as a goal, but that salary transparency in the job posting and hiring process is important, since it’s the first time a prospective hire comes into contact with the institution. Millar Fisher said, “Setting that relationship out in a generous and generative way is incredibly important, and I would not underestimate that generosity – really starting with salary transparency in the job description.” Colón-Marrero seconded this, saying that advocating for salary equity and fair compensation on behalf of new hires is key. Flora then shared an experience in which she was offered a job that had lower compensation than she was able to consider, and said that the lack of salary transparency was a waste of her and the hiring institution’s time — several attendees shared similar experiences in the event chat.

The audience asked the panelists questions about how university categories of library positions – paraprofessional versus librarian – can serve to exploit very qualified people without compensation, and how to compare salaries across position types and geographic regions. The final audience question was about what sources the panelists recommended for job seekers and hiring managers. Several great resources were shared in response to that question, and by panelists and attendees throughout the event. Here is a selected list of resources:

Thank you to our panelists and our attendees for their thoughtful participation and for their generosity in sharing their experiences and perspectives.


“We Have to Do This For Each Other”

CaptureThe July 14, 2020 panel discussion on LAM (Libraries, Archives, Museums) Mutual Aid & Solidarity, hosted by AWE Fund Organizing Committee is now available online on You Tube.

Participants included Callan Bignoli of Protect Library Workers, Anna J. Clutterbuck-Cook of AWE Fund, John Chrastka of EveryLibrary’s HALO Fund, and Paula Santos of Museum Workers Speak, which established the Museum Workers Speak Relief Fund. The event was moderated by Alison Clemens and facilitated by Jessica Chapel of the AWE Fund Organizing Committee.

Panelists discussed the origins of their mutual aid models of community care and community-building solidarity efforts among library, archives, and museum workers and principles guiding the development of their funds or collectives. More broadly, participants addressed the meaning of mutual aid and solidarity to them individually and as a group, and how mutual aid fits into a broader organizing strategy for LAM workers.

While originating in different LAM contexts, all mutual aid and solidarity efforts address the immediate need for material aid and community care during the long COVID-19 health, economic and solidarity crisis. “The legitimate agenda in a crisis like this is the human need,” said John Chrastka, highlighting how they retooled the EveryLibrary initiative to address not only the needs of the institutions, but also the needs of every library worker during the crisis. The panelists made clear that their efforts went beyond the immediate crisis and confronted much broader, structural problems and imbalances of power in the LAM fields that the COVID 19 crisis has exposed more clearly. Some institutions quickly furloughed workers, especially those in precarious positions, yet there is a gap around labor and solidarity organizing among library and other LAM workers. Protect Library Workers, the AWE Fund, Museum Workers Speak, and EveryLibrary’s HALO Fund thus all walk the line between addressing the immediate crisis, while working toward developing larger and lasting community care and solidarity structures for LAM workers. In the absence of larger structures, such as a National Library Workers Union, the organizing efforts made clear that, “there are things that we can do to bolster our own ability to pull ourselves up in these situations and protect ourselves from some of the more egregious abuses,” said Callan Bignoli.

A key principle for all mutual aid funds has been to keep barriers to the funding and support networks low and, “believe people when they say they need a hand. That is incredibly radical,” said Paula Santos, comparing it to the process of means-testing common for most funding applications. All efforts are united in their approach to support all workers in libraries, archives and museums, not only those with professional degrees. “We were all really united on this idea that we wanted the fund to be open to all archival workers,“ said Anna Clutterbock-Cook.

While fundraising has been a key component for HALO, AWE Fund and the Museum Workers Speak fund, the panelists made clear that money was only one component of mutual aid and community care. The mutual aid and solidarity efforts have highlighted the need for establishing formal and informal networks, for conversations across professions and hierarchies and for gathering knowledge about organizing. Participants discussed the benefits of leveraging existing structures, such as labor unions or the Society of American Archivists, for inspiration and practical support. The efforts also opened up possibilities of emulating at a grassroots level models of how we can organize and work together. “How do we think together? How do we work together? How do we imagine together?“ asked Paula Santos.

Alison Clemens concluded the panel with an open question from the Q&A: “How do we unite all of these wonderful but disparate efforts?” The event was one important step of uniting the L and A and M in a larger effort of creating informal and formal networks of mutual aid and solidarity during and beyond the long COVID-19 crisis, and the proceeds from optional donations from attendees were split among the organizations.

Community at Work: LAM Mutual Aid and Solidarity

Take Care / Care Take.” Art by Peter Railand, sourced from Justseeds.

Join the AWE Fund Organizing Committee, EveryLibrary’s HALO Fund, Protect Library Workers, and Museum Workers Speak for a conversation about community care and organizing on Tuesday, July 14 at 4:00 p.m. ET / 1:00 p.m. PT.

The LAM Mutual Aid and Solidarity Panel — hosted by the Archival Workers Emergency Fund Organizing Committee — will include Callan Bignoli of Protect Library Workers, John Chrastka of HALO Fund, and Paula Santos of Museum Workers Speak. Panelists will discuss mutual aid models of community care and community-building solidarity efforts. 

The event if free to register and open to the public, however donations are being accepted for these collective efforts to support LAM workers.

About the Panelists

Callan Bignoli is the director of the library at Olin College of Engineering in Needham, Massachusetts. With support from many others, she has been organizing resources to help with advocacy and safe reopening efforts at libraryworkers.net. She also co-manages the New England Radical Reference Collective and the LIBREV community (librev.info), is a member of Library Freedom Project, and serves on the executive board of the Massachusetts Library Association as the Library Information Technologies Section chair.

John Chrastka is a founder and executive director of EveryLibrary, the first Super PAC for libraries, and the EveryLibrary Institute, a public policy and tax policy think tank for libraries. Since 2012, EveryLibrary has provided pro-bono support to over 100 library communities with ballot measures and tax referendums, helping win over $328 million in stable tax funding. The EveryLibrary Institute supports individual library workers through the HALO Fund and libraries through the FundLibraries crowdfunding platform along with publishing the journal “The Political Librarian.” He is a former Board President of the Berwyn (IL) Public Library and RAILS, the Reaching Across Illinois Libraries System.

Anna Clutterbuck-Cook is a historian, reference librarian, writer, and crafter. She works as a reference librarian at the Massachusetts Historical Society and is a volunteer organizer with the Archival Workers Emergency Fund. She is the founder of Persistent Stitches, an all-volunteer an all-volunteer collective raising money for resistance, social justice, and anti-oppression work through crafting, and recently coordinated the Persistent Stitches #Auction4AWEfund event. As a historian, she is interested in the intersection of gender and sexuality, religion, and political activism. Michigan born, now Boston based she lives in Roslindale with her wife and two cats. 

Paula Santos is a museum educator, cultural organizer and podcaster. She has held positions in major art museums in New York City, Los Angeles and Chicago. In addition to her museum work, she is the host of the Cultura Conscious podcast and a founding member of the Museum Workers Relief Fund. She is a graduate of the Leadership in Museum Education masters program at Bank Street College and earned her B.A. in Art History from Williams College. Currently, she is the Senior Manager of Learning and Engagement at Intuit: The Center for Intuitive Art in Chicago.

Moderators: Jessica Chapel and Alison Clemens.

This panel is the first in a series of semi-regular panel conversations hosted by the AWE Fund Organizing Committee.